“What excites me most about this project is its commitment to artistic excellence while also making ballet more accessible to those who may have never encountered it or envisioned themselves within it,” Guy said.Source: Tamisha Guy / other

For many, ballet is seen as an art form steeped in tradition — exquisite, disciplined, but often inaccessible. 

For dancer Tamisha Guy, 35, the journey has been about more than mastering technique; it’s been about breaking ground, claiming space, and dismantling barriers.

The Brooklyn resident with Trinidadian roots has spent more than a decade navigating worlds that weren’t always built for someone who looks like her.

“I always think about bringing young dancers behind me and how I’ll show up in spaces, how I present myself anywhere that wasn’t always fit for me, and try my hardest to ensure that they can see it can be done with and they can also sort of step into those shoes,” Guy told MadameNoire.

Now, her starring role in DS2 REMIXED: THE BALLET is not just a career highlight — it’s a celebration of resilience, identity, and what’s possible when art, culture, and heritage collide.

The Ballerina’s Beginning

Guy credits her Trinidadian heritage for giving her rhythm, a natural flow that she calls a “special seasoning” that shaped her authenticity as a performer.

She started ballet at nine, slipping into slippers and learning the discipline of the art form while perfecting her grand jeté, plié, and pirouette.

“I trained full time for ballet, pointe work, character dance, and voice, so there were all these other elements, but it was at Ballet Tech where that sort of spark to do ballet, dance, and move my body was ignited,” she said.

RELATED CONTENT: Misty Copeland Is Retiring From Ballet—But Wait Until You Hear What’s Next

DS2 REMIXED: THE BALLET reimagines Future’s influential DS2 album through the lens of ballet, pairing trap and hip-hop with classical discipline. Source: Grand Marnier®

But her early years also came with hard truths. The world of ballet wasn’t built with dancers of color in mind, from lead roles to basic attire.

“In the beginning, it was that sort of challenge finding dance attire that was suited for my melanated skin, so I would have to do the extra step in putting makeup on my pointe shoes and ballet slippers to match my skin tone and feel confident in my work,” she recalled.

Today, she’s witnessed progress. Dance stores now offer leotards, tights, and shoes in shades that reflect a broader range of complexions, a small but significant shift in inclusivity.

The post Black Ballerina Tamisha Guy Brings Trap, Hip-Hop And Caribbean Roots To Future’s Grand Marnier DS2 REMIXED: THE BALLET [Exclusive] appeared first on MadameNoire.



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